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Home Art Art always opts for the individual, the concrete; art is not

Art always opts for the individual, the concrete; art is not

Polly, August 17, 2013

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Tags : Jorge Luis Borges

It seems almost backwards to me that my music seems the more emotional outlet, and the art stuff seems more about ideas.

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In an era ruled by materialism and unstable geopolitics, art must be restored to the center of public education.

Polly

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My parents started with very little and were the only ones in their families to graduate from college. As parents, they focused on education, but did not stop at academics – they made sure that we knew music, saw art and theatre and traveled – even though it meant budgeting like crazy.

My parents started with very little and were the only ones in their families to graduate from college. As parents, they focused on education, but did not stop at academics – they made sure that we knew music, saw art and theatre and traveled – even though it meant budgeting like crazy.

It took me twenty years to get Steven Parrino’s work. From the time I first saw his art, in the mid-eighties, I almost always dismissed it as mannered, Romantic, formulaic, conceptualist-formalist heavy-metal boy-art abstraction.

It took me twenty years to get Steven Parrino’s work. From the time I first saw his art, in the mid-eighties, I almost always dismissed it as mannered, Romantic, formulaic, conceptualist-formalist heavy-metal boy-art abstraction.

I try to give people a different way of looking at their surroundings. That’s art to me.

I try to give people a different way of looking at their surroundings. That’s art to me.

The most beautiful thing we can experience is the mysterious. It is the source of all true art and science.

The most beautiful thing we can experience is the mysterious. It is the source of all true art and science.

I got my diploma from Ealing College of Art, in graphics and illustration.

I got my diploma from Ealing College of Art, in graphics and illustration.

All of Koons’s best art – the encased vacuum cleaners, the stainless-steel Rabbit (the late-twentieth century’s signature work of Simulationist sculpture), the amazing gleaming Balloon Dog, and the cast-iron re-creation of a Civil War mortar exhibited last month at the Armory – has simultaneously flaunted extreme realism, idealism, and fantasy.

All of Koons’s best art – the encased vacuum cleaners, the stainless-steel Rabbit (the late-twentieth century’s signature work of Simulationist sculpture), the amazing gleaming Balloon Dog, and the cast-iron re-creation of a Civil War mortar exhibited last month at the Armory – has simultaneously flaunted extreme realism, idealism, and fantasy.

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