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Home Art A work of art which did not begin in emotion is not art.

A work of art which did not begin in emotion is not art.

Polly, August 14, 2013

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Tags : Paul Cezanne

To me, photography is an art of observation. It’s about finding something interesting in an ordinary place… I’ve found it has little to do with the things you see and everything to do with the way you see them.

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Errors are not in the art but in the artificers.

Polly

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The purpose of art is washing the dust of daily life off our souls.

The purpose of art is washing the dust of daily life off our souls.

If the Frieze Art Fair catches on, I imagine at least two great things happening. First, we will once again have a huge art fair in town that isn’t too annoying to go to. More importantly, Frieze may finally show New Yorkers that we can cross our own waters for visual culture. That would change everything.

If the Frieze Art Fair catches on, I imagine at least two great things happening. First, we will once again have a huge art fair in town that isn’t too annoying to go to. More importantly, Frieze may finally show New Yorkers that we can cross our own waters for visual culture. That would change everything.

Art is for entertainment purposes, but it’s also to reflect our dreams, our hopes, the present, the future the past – whether it’s good or bad.

Art is for entertainment purposes, but it’s also to reflect our dreams, our hopes, the present, the future the past – whether it’s good or bad.

All of Koons’s best art – the encased vacuum cleaners, the stainless-steel Rabbit (the late-twentieth century’s signature work of Simulationist sculpture), the amazing gleaming Balloon Dog, and the cast-iron re-creation of a Civil War mortar exhibited last month at the Armory – has simultaneously flaunted extreme realism, idealism, and fantasy.

All of Koons’s best art – the encased vacuum cleaners, the stainless-steel Rabbit (the late-twentieth century’s signature work of Simulationist sculpture), the amazing gleaming Balloon Dog, and the cast-iron re-creation of a Civil War mortar exhibited last month at the Armory – has simultaneously flaunted extreme realism, idealism, and fantasy.

In the first book of my Discworld series, published more than 26 years ago, I introduced Death as a character; there was nothing particularly new about this – death has featured in art and literature since medieval times, and for centuries we have had a fascination with the Grim Reaper.

In the first book of my Discworld series, published more than 26 years ago, I introduced Death as a character; there was nothing particularly new about this – death has featured in art and literature since medieval times, and for centuries we have had a fascination with the Grim Reaper.

When that shutter clicks, anything else that can be done afterward is not worth consideration.

When that shutter clicks, anything else that can be done afterward is not worth consideration.

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