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Home Art Ads are the cave art of the twentieth century.

Ads are the cave art of the twentieth century.

Polly, August 10, 2013

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Tags : Marshall McLuhan

Every human is an artist. The dream of your life is to make beautiful art.

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Art consists of limitation. The most beautiful part of every picture is the frame.

Polly

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‘Untitled’ is a time machine that can transport you to 1992, an edgy moment when the art world was crumbling, money was scarce, and artists like Tiravanija were in the nascent stages of combining Happenings, performance art, John Cage, Joseph Beuys, and the do-it-yourself ethos of punk. Meanwhile, a new art world was coming into being.

‘Untitled’ is a time machine that can transport you to 1992, an edgy moment when the art world was crumbling, money was scarce, and artists like Tiravanija were in the nascent stages of combining Happenings, performance art, John Cage, Joseph Beuys, and the do-it-yourself ethos of punk. Meanwhile, a new art world was coming into being.

The beginning is the most important part of the work.

The beginning is the most important part of the work.

I am a soul. I know well that what I shall render up to the grave is not myself. That which is myself will go elsewhere. Earth, thou art not my abyss!

I am a soul. I know well that what I shall render up to the grave is not myself. That which is myself will go elsewhere. Earth, thou art not my abyss!

Art distills sensations and embodies it with enhanced meaning.

Art distills sensations and embodies it with enhanced meaning.

We foresee no limit to scientific advancement in the future, and in scientific truth there is nothing dead; science is always a living and growing body of knowledge; but art on the contrary has many times run its course to an end, and exhausted its vital power.

We foresee no limit to scientific advancement in the future, and in scientific truth there is nothing dead; science is always a living and growing body of knowledge; but art on the contrary has many times run its course to an end, and exhausted its vital power.

The reason the art world doesn’t respond to Kinkade is because none – not one – of his ideas about subject-matter, surface, color, composition, touch, scale, form, or skill is remotely original. They’re all cliche and already told.

The reason the art world doesn’t respond to Kinkade is because none – not one – of his ideas about subject-matter, surface, color, composition, touch, scale, form, or skill is remotely original. They’re all cliche and already told.

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