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Home Success After my spectacular failures, I could not be satisfied with an ordinary success.

After my spectacular failures, I could not be satisfied with an ordinary success.

Polly, June 9, 2013

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Tags : Mason Cooley

I’m not after fame and success and fortune and power. It’s mostly that I want to have a good job and have good friends; that’s the good stuff in life.

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To have long term success as a coach or in any position of leadership, you have to be obsessed in some way.

Polly

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Outward failure may be a manifested variant of inward success.

Outward failure may be a manifested variant of inward success.

The appreciative smile, the chuckle, the soundless mirth, so important to the success of comedy, cannot be understood unless one sits among the audience and feels the warmth created by the quality of laughter that the audience takes home with it.

The appreciative smile, the chuckle, the soundless mirth, so important to the success of comedy, cannot be understood unless one sits among the audience and feels the warmth created by the quality of laughter that the audience takes home with it.

Yes I have made a lot of money and I have a lot of respect, my films have done well, and I know there are loads of loads of people who look up to me and really love me. I really just thought this is like a strange dream. I have never thought this is a success – I don’t have a standard.

Yes I have made a lot of money and I have a lot of respect, my films have done well, and I know there are loads of loads of people who look up to me and really love me. I really just thought this is like a strange dream. I have never thought this is a success – I don’t have a standard.

The kind of theater that I do is sort of ‘narrative realism,’ which I think in the broadest sense is legitimate to say is mainstream. I mean, in a certain sense, Suzan-Lori’s plays have had mainstream levels of success. But Suzan-Lori is in some ways not a narrative realist.

The kind of theater that I do is sort of ‘narrative realism,’ which I think in the broadest sense is legitimate to say is mainstream. I mean, in a certain sense, Suzan-Lori’s plays have had mainstream levels of success. But Suzan-Lori is in some ways not a narrative realist.

The successful man will profit from his mistakes and try again in a different way.

The successful man will profit from his mistakes and try again in a different way.

Success is the sweetest revenge.

Success is the sweetest revenge.

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